Title: A Mercy
Author: Toni
Morrison
Publisher:
Knopf
Publish
date: 2008
ISBN: 978-0-307-26423-7
Book quote:
‘These
careful words, closed up and wide open, will talk to themselves. (…) Or. Or
perhaps no. Perhaps these words need the air that is out in the world. Need to
fly up then fall, fall like ash over acres of primrose and mallow.’
________________________________________________________________________
A discussion on the theme of subjugation, possession
and protection in late 17th century America, this novel is like cobweb:
both filamentous and strong.
The main timeline of the plot is a few days’
duration, while Florens (a Portuguese-African slave girl) ventures off on her
own to find help for her mistress, who is afflicted with smallpox. The chapters
alternate POV between the main characters in the book, and through their
recollections and associative thinking a larger picture of their narratives
before and after is depicted.
Many readers say that the central theme is
slavery. It’s not. It’s oppression across the board, how people create their
own ‘sanity’ within the confines of their individual circumstances, and above
all how they communicate with each other. Florens is docile and eager to please
– later terrifyingly independent when circumstances change. Sorrow creates her version
of sanity inside seeming madness. Jacob within his hubristic new house. Lina
within her re-creation of herself as an all-dependable fount of calm and
knowledge. Their chapters send out filaments to criss-cross each other’s
narratives like hyphae, intricate and fertilizing. Eventually, with the glue
that binds them together gone, their connections dissolve like so much
candy-floss in water. The tenor of the novel seems to intimate that despite the
transitory nature of their connections, the depth of their emotions at the time
etches significance into the bond that exists after dissolution like seared
light on the retina.
From the Blacksmith down – so stylized he doesn’t
even get a name - you could say the characters are cut-outs. Arranged for the
purposes of plot and significance, tokens as representative as chess pieces.
The white mail-order bride, the Protestant tradesman, the Popish ignoramuses,
the black slave girl, the Noble Savage with flowing hair, the brutish slave
trader, even an Irish (?) pirate’s daughter. Through the confines of their
place in the plot, and their place in their circumstances, they sing a cantata
more poetry than prose. They’re stuck there, sending out tentacles, and it’s a
mesmerizing process to behold.
The breakdown of the relationships and
their hyphae reflects the isolation that ultimately each character, and by
inference every member of humanity, suffers. The most poignant isolation and
communication breakdown is between Florens and her mother. Florens seeks her
mother’s ‘answer’ throughout the novel but will never find it. Only the reader
sees from above, only the reader can weep at the wasted struggles and pitiful,
mismatched desires.
Five Moose-Hoofs up. Only set aside a good
chunk of a day when you intend to read it because you won’t be able to put it
down.
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