Title: Holes
Author: Louis
Sachar
Publisher: Bloomsbury
Publish
date: 2000
ISBN: 9
781408 865231
Another one
for the admirable-YA-books pile. I have some recollection of seeing the movie
of this, but the text was a considerably more memorable and pleasurable.
Hapless kid
from hapless family gets sent to a boot-camp when wrongly convicted of petty
theft. Forms friendships, and perhaps ironically ‘builds character’ because
this is the (presumably fallacious) opinion of the detention center staff. In
process of caring for others, rectifies an ancestral wrong, all ends well.
It’s a
lovely, satisfying read. The touch is light, and often lyrical, despite
portraying characters who use shoulder-shrugs more than words. The pieces are
put together in as obvious a manner as possible, and even if you’re a kid with
no thought to literary craft or linguistic techniques, you can’t help but
connect the themes and the images that the author puts your way. Even if you
don’t register them as such.
Sachar claims
this is about friendship, and the importance of reading. For me the strongest
motif that really ties all the strands together is the discovery of self – in this
case, the reconciliation to the ancestors who emigrated from their home
countries to the new continent all those years ago. The psyche of the States is
continually in a state of yearning for a past it feels has eluded it. A massive
nation of people whose very existence is owed to leaving their origins behind, coupled
with the main theme of adolescence, a search for the self, creates a thumping rhythm
of hammering away at the strands of ‘mystery’ in the novel.
The recurring motifs of the song, the carrying, the 'training’ and changing physical form, the peaches, the onions, the pig, the lizards, the rattlesnakes, and of course, the holes. Holes in every physical and metaphorical sense. These are clear, unambiguous sign-posts for a friendly, sympathetic read.
The recurring motifs of the song, the carrying, the 'training’ and changing physical form, the peaches, the onions, the pig, the lizards, the rattlesnakes, and of course, the holes. Holes in every physical and metaphorical sense. These are clear, unambiguous sign-posts for a friendly, sympathetic read.
Why not
give it a five moose-hoof up? No reason at all.